Flashback 4/27/22

It was announced 41 years ago (April 27th, 1981), that Paul McCartney‘s solo band Wings had disbanded. McCartney and his first wife Linda had formed the group in the summer of 1971 with drummer Denny Seiwell and guitarist and Moody Blues co-founder Denny Laine. The McCartney’s and Laine remained the nucleus of the band’s ever-changing line up throughout their decade-long run. At the time of Wings’ split the band included Wings’ third lead guitarist Laurence Juber and fourth drummer Steve Holley.

The same day the announcement was leaked to the press, McCartney, along with Linda and their four children, joined his bandmates from his other band, George Harrison and Ringo Starr, at Ringo’s wedding to actress Barbara Bach in London.

McCartney first broke Wings in by playing small, unannounced university gigs throughout Britain in early 1972. Gradually, he began booking the group into theaters and arenas across Europe, Australia, and America as the group started racking up Top Ten hits such as “Hi, Hi, Hi,” “Live And Let Die,” “Helen Wheels,” “Jet,” “Junior’s Farm,” “Let ‘Em In,” and “Goodnight Tonight,” along with the Number Ones “My Love,” “Band On The Run,” “Listen To What The Man Said,” “Silly Love Songs,” “With A Little Luck,” and “Coming Up.”

In 2001 McCartney released his Wingspan documentary chronicling the group’s career. He admitted at the time that he was horrified by at the public and critical beating Linda took after marrying and co-founding Wings with him: [“She took some s*** — major league. Not only from the critics, (but) from the fans. I mean, we had stuff daubed on our front wall in large letters, and it was highly offensive, y’know? So, she had to put up with that. Luckily, she was a very strong woman, and was able to overcome it and the period passed, and as she went on, people started to appreciate more and more.”] SOUNDCUE (:20 OC: . . . more and more)

Denny Laine says that despite the band’s success, being an active member of top act like Wings is hardly as easy as it looks: [“Well, there’s a lot of pressure on you when you’re in a band like Wings — to come up with the goods, to be continually working. It’s not like taking it easy and taking it at your own pace. Y’know, you’re out there and you’ve got to do what the public expects you to.”] SOUNDCUE (:13 OC: . . . expects you to)

The Beatles‘ late-engineer Geoff Emerick, who went on to work on several Wings projects, including the One Hand Clapping film and the Band On The Run and London Town albums, told us that above all the members, it was Linda that was really the unsung hero of the group: [“Wings was Wings, and Linda was such an integral part of that — if you took Linda’s vocals out of those harmony voices — it wasn’t Wings anymore.”] SOUNDCUE (:07 OC: . . . wasn’t wings anymore)

Wings’ final lead guitarist, Laurence Juber, told us that although the band was specifically not brought on for McCartney’s Tug Of War sessions, they remained an active studio unit for McCartney’s other recording work — including his still-unreleased outtakes project, Cold Cuts[“George Martin didn’t want it to be a Wings album, that’s what I was told. Paul called up and said, ‘George wants to make this a ‘Paul McCartney’ album and thanks, but no thanks.’ But subsequently, we were still back in the studio as Wings, ’cause during January of ’81 we were loosely working on what was called Cold Cuts.”] SOUNDCUE (:19 OC: . . . called Cold Cuts)

Beatlefan magazine publisher Bill King had covered all of McCartney’s exploits leading up to Wings calling it quits — including his infamous January 1980 Tokyo drug bust which curtailed Wings’ second proposed world tour. We asked King if he was shocked by the announcement signaling the end of the band: [“I was mildly surprised but after the who Japanese thing, that was sort of a major demarcation in his life and career. ‘Cause we had heard the reports that the last British tour was underwhelming. Everybody remembered Pete Townshend’s comment about him getting out there with an ‘under-rehearsed band.’ I seem to recall that my feeling was that this had run its course, it was a good time for him to try something different, and to basically record with a whole bunch of different people.”] SOUNDCUE (:30 OC: . . . of different people)

McCartney biographer Christopher Sanford feels that there was probably no clear moment at which McCartney decided that Wings was an unworkable situation: [“His solo album (McCartney II) that came out in May of ’80 was sort of an organic process. I don’t think there was a ‘big bang’ moment where he decided to demolish Wings. And I think it developed in the first six or seven months of 1980. And I suspect that John’s murder had — among many other horrible repercussions — a disinclination to go out on the road immediately. I mean, for one thing, you’re more vulnerable physically; and secondly it’s hard to go out and sing with the best will in the world ‘Silly Love Songs’ and the other upbeat stuff when you’re grieving your best friend.”] SOUNDCUE (:37 OC: . . . your best friend)


  • In September 1975, Wings, which had only ever played in Europe, embarked on the Wings Over The World tour, which traveled to Australia, Europe and the U.S., where Paul McCartney hadn’t played in nearly ten years.
  • Although the hits kept coming later on in the decade, including “With A Little Luck,” “Goodnight Tonight,” and a live version of “Coming Up” from their final tour, the constant personnel changes became a strain on McCartney.
  • After his January 1980 marijuana bust in Japan, McCartney canceled all the group’s prospective dates and in May released McCartney II, his first solo album in a decade.
  • In July 1980, Paul, LindaLawrence Juber and touring Wings saxophonist Howie Casey traveled to Berre-Les-Alres, France to take part in a series of McCartney-produced sessions for Ringo Starr‘s Stop And Smell The Roses album.
  • Wings regrouped sporadically in 1980, putting finishing touches on a still-unreleased album of outtakes titled Cold Cuts, as well as holding two sets of rehearsals in July and October for an album which was to be produced by the Beatles‘ producer George Martin.
  • To the group’s disappointment, when McCartney and Martin began the sessions that fall for the Tug Of War album, McCartney was recording as a solo act — with Denny Laine still on-board as sideman.
  • McCartney recalled the group’s final days in his 2001 video biography Wingspan, saying, “One of the jokes I’d been waiting to use for the minute Wings split was to say ‘Wings fold!’ But, as it turned out, Wings didn’t actually fold, they just sort of dissolved, like sugar in tea.”
  • In his recent concerts — to delight of many — McCartney has finally embraced his ’70s solo period performing such Wings-era classics as “Venus And Mars/Rock Show,” “Bluebird,” “Let ‘Em In,” “Too Many People,” “Mrs. Vandebilt,” “Nineteen Hundred And Eighty-Five,” “Hi, Hi, Hi,” “Listen To What The Man Said,” “Wonderful Christmastime,” “Ram On,” “Junior’s Farm,” and “Letting Go” — in addition to his usual nods to the past with “Maybe I’m Amazed,” “Jet,” “My Love,” “Every Night,” “Band On The Run,” “Jet,” and “Live And Let Die.”
  • After years of collecting dust in Paul McCartney’s archival vaults, the long lost live Wings album Wings Over Europe, finally lived up to its legend. Released in 2018 as part of the sprawling Paul McCartney And Wings – 1971-73 Limited Edition Box Set, which features both the new Wild Life and Red Rose Speedway “Archival Series” collections combined, Wings Over Europe spotlights the earliest live incarnation of Wings, featuring Paul and Linda McCartney, Denny Laine, Henry McCullough, and Denny Seiwell. All but one of the disc’s 20 songs is from the band’s summer ’72 European trek, with the album’s opening number “Big Barn Bed” coming from July 10th, 1973 at the lineup’s final gig in Newcastle, England.