The Who didn’t quite snag the chart-topper most fans were hoping for this time out, with the band’s new album, WHO, entering the Billboard 200 at Number Two behind Roddy Ricch‘s chart-topping Please Excuse Me For Being Antisocial. Earlier this week, WHO hit the UK charts at Number Three — and still marks the group’s best charting album in the States since 1978’s Who Are You — which also peaked at Number Two.
Obviously for an album to have the momentum that the Who’s latest set clearly has — it’s not just down to boomer fans driving the new music to the upper reaches of the charts. Pete Townshend told us that 55 years on, it’s fascinating to realize that it’s the younger generations that are keeping the Who alive and thriving: [“It’s so strange to have that brand that is bigger than either of us. That when we get together underneath that banner, we’re conferred with a magical sprinkling of, y’know, historical stardust that attracts an audience that is not just old fans — it’s curious young people; people who are interested in our legacy, and where we fit into the history of Western music — and Western sociology.”] SOUNDCUE (:27 OC: . . . and Western sociology)
Townshend told us that although the Who’s fan base continues to grow, he finds that the band’s newer fans differ from the die-hards of the 1970’s: [“They don’t have the same kind of parochial loyalties and needs that they used to have. They’re much more eclectic, they’re much more generous in spirit, they’re much more broadly based. Do you know what? They love music. Just music. Well, hey-ho!”] SOUNDCUE (:13 OC: . . . well hey ho)
The Who will perform a pair of special acoustic shows on February 12th and 14th at Pryzm in Kingston-Upon-Thames, England.
- The Who‘s new album, WHO, entered the Billboard 200 at Number two behind Roddy Ricch‘s chart-topping Please Excuse Me For Being Antisocial.
- Earlier this week, WHO hit the UK charts at Number Three — and still marks the Who’s best charting album in the States since 1978’s Who Are You — which also peaked at Number Two.
The chart positions of the major U.S. Who releases:
Happy Jack (1966) – #67
The Who Sell Out (1967) – #48
Tommy (1969) – #4
Live At Leeds (1970) – #4
Who’s Next (1971) – #4
Meaty Beaty Big And Bouncy (1971) – #11
Quadrophenia (1973) – # 2
Odds & Sods (1974) – #15
The Who By Numbers (1975) – #8
Who Are You (1978) – #2
The Kids Are Alright (1979) – #8
Empty Glass (*Pete Townshend, 1980) #5
Face Dances (1981) – #4
Hooligans (1981) – #52
It’s Hard (1982) – #8
Who’s Last (1984) – #81
Endless Wire (2006) – #7